Evansville, IN – March 8, 2021 – Live music is back at Old National Events Plaza for the first time in over a year as The Allman Betts Band takes the stage on April 23, 2021 at 8:00pm. The talented alternative rock and jam group is comprised of Devon Allman, Duane Betts and Berry Oakley Jr., all sons of the Allman Brothers founding members.
Tickets start at $39.50 plus applicable fees and tax and go on-sale Friday, March 12, 2021 at 10:00am. Seating will be limited and in socially distanced pods. Masks must be worn by guests at all times at the request of the Artist and venue.
“We are excited to welcome audiences back to the theatre next month as we announce the talented Allman Betts Band. The Old National Events Plaza team has worked diligently over the past year to prepare and maintain a safe environment for our guests, and we are thrilled to be able to deliver live, in-person entertainment events in a socially distanced setting,” notes the Plaza’s General Manager, Alexis Berggren
The health and safety of guests and employees is Old National Events Plaza’s top priority. The venue will continue to follow the safety and prevention guidelines of the CDC and public health organizations. Local staff is supported by ASM Global’s corporate VenueShield initiative, ensuring operational best practices are utilized throughout the network of facilities.
About The Allman Betts Band
When The Allman Betts Band released Down to the River in June of 2019, the debut album represented not only the first time the group had recorded together, but, in fact, the first time the seven-piece ensemble had ever played together. If Down to the River was the sound of the band’s combustible sparks igniting, then Bless Your Heart is their bonfire, built for the summer of 2020 and beyond; a double-album follow-up fueled by road-forged camaraderie and telepathic musical intensity, vibrantly reflecting the individual and collective experiences of these seven, all drawing inspiration from the band’s symbolic hometown- a place Devon Allman calls “the United States of Americana.”
In 2019, as Down to the River topped charts and dotted playlists, The Allman Betts Band toured. Relentlessly. Sold-out U.S. theatres in spring turned to festival dates in summer, even crossing over the Atlantic for a string of European appearances. It was in Germany in late July when Allman, the group’s co-founder, guitarist, and singer, required a tour-ending hospital stay for minor, but necessary surgery. His recovery postponed several ensuing shows, but the writing for a second album enthusiastically continued.
Along with co-founder, guitarist, and singer Duane Betts, the pair already had a growing notebook of new songs, largely composed on the tour bus or in hotel rooms in cities and towns across the country: Baton Rouge, Louisiana and Tybee Island, Georgia; Chicago, Illinois and Charlotte, North Carolina, to name a few. They re-enlisted Stoll Vaughan, a singer-songwriter from Los Angeles (via Kentucky), who’d collaborated on five of River’s nine tracks, to advise on the developing material. And they booked a return to Alabama’s Muscle Shoals Sound Studio, the historic recording facility where they’d cut the debut, as well as re-signing Grammy-winning producer Matt Ross-Spang to reprise his role helming the recording.
After Allman’s healthy return and a run of fall tour dates, including the third annual Allman Family Revival (expanded from San Francisco to Denver and New York City), the group decamped to Nashville for rehearsals ahead of the recording session, fleshing out the new songs until satisfied they had reached peak performance. “We thought that if we can maximize the potential of each song, then we have a shot at making a cohesive, great record,” says Allman.
Under a siren’s warning of approaching tornados, but secure in the familiar, single-story brickhouse comfort of Muscle Shoals, the band began tracking its own brand of whirling, raucous rock-and-roll. Following a year’s worth of touring as a unit- as Allman says, the “200 races the horse had run”- the dividends were immediate and plentiful. “Now we know how the band plays. We know to trust each other’s instincts. The dynamics have a flow to them: when to step back; when to push forward,” says Allman.
Adds Betts, “Once we got rolling, the floodgates opened.” A conflagration of influences and invention, confidence and ambition, Bless Your Heart captures a vast, panoramic scope throughout a baker’s dozen of modern rock. Ragged and stomping. Heady and frayed. Soaring and scorching. Generational and genteel. West Coast scenes and Gulf Coast shores. Gateways of the Midwest and swamplands of Florida. Wyoming’s Big Sky. New York’s Big Apple. Chicago’s Broad Shoulders.
Among the fiery set is "Magnolia Road," a semi-autobiographical overview of Allman and Betts written, ironically, by Vaughan alone, and a tie-dyed contender for summer festival favorite. There is the album's starter, "Pale Horse Rider," ominously evolving into a dark and dense rumbler accentuated by an unbridled storm of guitars, evoking the spirit of Neil Young’s Crazy Horse and modern counterpart, My Morning Jacket.
And "Ashes of My Lovers," a mourning motif of romance and wreckage, inflected with traildusted harmonica complementing the cinematic Badlands spook. Or "Airboats & Cocaine," with its tongue firmly in its cheek, telling the Southern Gothic tale of a girl born into the wrong family and her guy regretting his incidental associations with the underbelly of swampland contraband, wrapped up in a loose, mid-tempo stinger.
Over a week’s time, they recorded 13 songs, with additional tracking in Memphis and St. Louis. Within the eclectic repertoire are the familiar: stacks of guitars; electric, acoustic, and slide; a throttling, percussive rhythm section. And the fresh: Bassist and singer Berry Duane Oakley’s ABB vocal debut on his original song (“The Doctor’s Daughter”); Allman’s baritone vocal channeling Johnny Cash (“Much Obliged”); Betts extending the legendary family legacy of incendiary instrumentals (“Savannah’s Dream”). They tapped friends, as well, such as Jimmy Hall, Shannon McNally, Art Edmaiston, Susan Marshall, and Reba Russell for guest contributions. Then, emerged with an undeniable achievement of an album (what sophomore jinx?) worthy of its winking, unabashedly Southern title.
“I think we definitely challenged ourselves, pushed ourselves artistically, and widened the spectrum on all levels. We wanted something that was a little more sweeping. A deeper experience,” says Betts. Says Allman, “I hope what people hear on Bless Your Heart is a band that’s having a love affair with being a band.”
Tickets are available at TicketMaster.com or at Old National Events Plaza Box Office.
For more information about the Aiken Theatre, visit: www.oldnationaleventsplaza.com
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About Outback Presents
Outback Presents is one of the largest independent, full-service promoters of live entertainment. From their home base in Nashville, TN, Outback Presents specializes in producing music and comedy shows, tours and festivals across North America and connecting their diverse roster of artists with their fans.
About Old National Events Plaza
Old National Events Plaza, managed by ASM Global, is Evansville, Indiana’s premier convention center and largest live entertainment theatre. Housing a spacious 2,500-seat theatre, 38,000 square- feet of column free exhibit space, a beautiful 14,000 square-foot ballroom, and 12,00 square-feet of meeting space, Old National Events Plaza hosts a variety of events. The venue offers easy scheduling, one-stop-shop services, and in-house catering and audio-visual services. For more information and a complete schedule of events, please visit www.oldnationaleventsplaza.com.
About ASM Global
ASM Global is the world’s leading venue management and services company. The company was formed by the combination of AEG Facilities and SMG, global leaders in venue and event strategy and management. The company’s elite venue network spans five continents, with a portfolio of more than 300 of the world’s most prestigious arenas, stadiums, convention and exhibition centers, and performing arts venues. From Aberdeen to Anchorage, and Sydney to Stockholm, its venues connect people through the unique power of live experiences. ASM Global’s diverse portfolio of clients benefit from the company’s depth of resources and unparalleled experience, expertise and creative problem-solving. Each day, the company’s 61,000 passionate employees around the world delivers locally tailored solutions and cutting-edge technologies to deliver maximum results for venue owners, and operations, and amazing experiences for guests. By consistently looking for new ways to envision, innovate and empower the spaces and places that bring people together, ASM Global elevates the human spirit while delivering the highest value for all stakeholders. For more information, please visit www.asmglobal.com.